The album seems deceptively short by today’s standards at twelve tracks long, but the album clocks in at nearly an hour long and there is only one true “interlude” which wasn’t even seperated into it’s own track – it was just tacked on to the end of their soulful lament “Can it Be All So Simple.” From the album’s introduction onward the tone is strongly set: “Do you think your Wu-Tang sword can defeat me?” declares the sample, and the group responds with both a challenge and a threat: “Bring Da Ruckus.” The single eerie whine in the background is quickly surplanted by a dark and moody piano chords, all of which are held together by the snapping fingers. It was the purest expression of gestalt – a sum whose whole was definitely greater than the total of the individual parts/rappers. Some people had their favorites right away – the loquacious GZA, the drunken Ol’ Dirty Bastard, the charmingly gruff Method Man, and so on – but what made this album incredible was how they COMBINED together. The Wu-Tang Clan may not have planned it that way, but that was the impact they had when they surprised the nation with “Enter the Wu-Tang: 36 Chambers.” The theme was so strong and powerful it immediately captured the imagination of hip-hop heads everywhere – a clan of lethal rapping warriors whose versatile styles could attack you from every angle. Thus they became the perfect breeding ground for Wu-Tang’s sound – seemingly flawed to an unperceptive eye but containing hidden depths of beauty which reveal themselves to the watchful and wise. To be sure, there is a pure “comedy” element to these films with their bad english translations and poorly overdubbed dialogue, but these films also featured gifted athletes performing spectacular feats of strength and dexterity. They developed this theme by using the martial arts movies of their early youth for inspiration. Listening to these pre-Wu songs leaves you with one impression: they had talent, but being forced to express it in cornball crossover cleaned up rap songs stifled their creativity.īy getting back to square one, they realized that the only way to go was to get dirty – to make the kind of raps that hit with their boys first, and let the audience get it later. They had to be wondering, “Why?” It could be argued they were ahead of their time, but even their very styles had changed by the time the Wu-Tang Clan came together. Both had released their “slick and polished” rap songs and had seem them sink beneath the waves quicker than Pussy Bompensiero.
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Naysayers were instantly skeptical about their success and issued a long litany of complaints: the tracks aren’t well-mastered, it sounds like somebody’s demo tape, and who the fuck are these guys with the kung-fu movie samples? They missed the point, and to this day they’re probably still scratching their heads and wondering why the Clan blew up.įounding Clan members Prince Rakeem (RZA) and the Genius (GZA) had both been down that road before. These days, the Wu-Tang Clan’s name is so well-known that even your grandpa probably rocks Wu-Wear boxer shorts, but back when their debut single “Protect Ya Neck” was released they were a cold splash of water straight to the face.
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seemed poised to recapture their glory on “Down With the King.” Then suddenly, the whole world of rap was stood on it’s head with a single, timeless, and ground-breaking album. Dre had blessed us with “The Chronic.” KRS-One put out his seminal classic “Return of the Boom Bap.” Even Run-D.M.C. Pharcyde had just come out with “Bizarre Ride II the Pharcyde” and Dr.